"You are all accused; stand up. The orator will speak to you only if youare standing.Standing as for the Marseillaise,standing as for the Russian hymn,standing as for God save the king,standing as before the flag.Finally standing before DADA, which represents life and accuses you oflovingeverything out of snobbism from the moment that it becomesexpensive."
November 23rd – 29th I'll publish 7 recent sound works based on dada manifestos from 1916 to 1921, played by a music box. The manifesto, the text, on one or several A4-pages, is cut into one long strip to fit a music box and then spliced with tape. Some manifestos has been scanned from top to bottom (vertically) and others from left to right (horizontally). The letters D and A in the text are then punctuated, so the absence of D and A (..DADA), is what you hear being played.
The first dada manifesto by Hugo Ball (1916) encourages poets to stop writing with words, but rather write the word itself, and Ball states that:
"I shall be reading poems that are meant to dispense with conventional language, no less, and to have done with it"
In this way this collection of Dada Manifestos acts in accordance with Ball's manifesto, using the word construct as the direct source.
Check out the composition from the very first Dada Manifesto by Hugo Ball (1916) here.
Twenty-three Manifestos of the Dada Movement by Tristan Tzara and others (1920)
Dada Excites Everything by Tristan Tzara and others (1921)
EARLIER THIS WEEK:
Dada Manifesto by Tristan Tzara (1918)
First German Dada Manifesto by Richard Huelsenbeck (1918)
What is Dadaism and what does it want in Germany?
by Richard Huelsenbeck and Raoul Hausmann (1919)
Dada Manifesto by Francis Picabia (1920)